盲人艺术无障碍:一个创作和理解摄影的过程

Arlindo Gómes, Cristiana Soares, Francisco Simões, W. Correia
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引用次数: 1

摘要

一般来说,像艺术画廊或博物馆这样的文化空间是盲人或弱视游客无法进入的。它们中的大多数都没有触觉支持,或者即使有了,用户也没有理解改编美术的经验。本文提出了一个通过提高盲人对摄影创作和解读的知识来提高视觉艺术可及性的过程。最初,一个摄影工作室被应用于三个不同程度视觉障碍的人。在第一部分中,研究人员解释了摄影的基本概念,如构图,照明和相机。然后,参与者选择他们的主题和拍摄的图像。工作坊结束后,研究团队制作了6块触觉石膏。随后,举行了最后的会议和公开展览,收集用户的反馈并展示他们的最终结果。在这个过程中,我们提供了一条提高盲人在图像阅读、摄影制作和触觉感知方面的自主权的途径,让他们不仅能够用自己的经验来解读自己拍摄的图像,还能解读不同的视觉艺术。这项工作也可以扩展到理解低视力人群基于图像/触觉界面的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art accessibility for blind people: a process to create and understand photography
Cultural spaces like art galleries or museums are, in general, not accessible to blind or low vision visitors. Most of them do not have haptic support or when it has, the users do not have the experience to understand adapted art. This paper proposes a process to improve accessibility to visual art by for blind people improving knowledge on the creation and interpretation of photography. Initially, a photography workshop was applied to a group of three individuals with different levels of visual impairment. In the first part, researchers explained the basic concepts of photography like composing, lighting, and camera. Then, the participants choose their subjects and captured images. After the workshop, the research team built six haptic plaster pieces. Later, a final meeting and a public exhibition took place to collect users feedback and show their final results. With this process, we provide a path to improve the autonomy of blind people on image reading, photographic production, and haptic perception, giving them tools to interpret not just their captured images, but different visual art, using their own experiences. This work can also be extended to understand the challenges of image/haptic based interfaces for people with low vision.
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