Nevena Daković, Aleksandra Milovanović, Ivan Leković
{"title":"塞尔维亚:Reco(r)正在转向电影","authors":"Nevena Daković, Aleksandra Milovanović, Ivan Leković","doi":"10.3366/edinburgh/9781474458436.003.0012","DOIUrl":null,"url":null,"abstract":"The chapter on Serbia examines the significance of the new opportunities for Serbian cinema offered by the country’s inclusion in the Eurimages and MEDIA programs and identifies major turning points and thematic markers within recent Serbian films. It analyses several distinct facets of recent cinematic developments: the emergence of a new wave of young directors whose films contain innovative cinematic and social perspectives; the rise in popular historical genre films supporting nationalist values; and the abundance of commercial – but often unpopular - filmmaking, marked by repetitive genre formulas and stereotypical themes.","PeriodicalId":409277,"journal":{"name":"Contemporary Balkan Cinema","volume":"50 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Serbia: Reco(r)ding the Cinematic Turn\",\"authors\":\"Nevena Daković, Aleksandra Milovanović, Ivan Leković\",\"doi\":\"10.3366/edinburgh/9781474458436.003.0012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The chapter on Serbia examines the significance of the new opportunities for Serbian cinema offered by the country’s inclusion in the Eurimages and MEDIA programs and identifies major turning points and thematic markers within recent Serbian films. It analyses several distinct facets of recent cinematic developments: the emergence of a new wave of young directors whose films contain innovative cinematic and social perspectives; the rise in popular historical genre films supporting nationalist values; and the abundance of commercial – but often unpopular - filmmaking, marked by repetitive genre formulas and stereotypical themes.\",\"PeriodicalId\":409277,\"journal\":{\"name\":\"Contemporary Balkan Cinema\",\"volume\":\"50 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Balkan Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474458436.003.0012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Balkan Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474458436.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The chapter on Serbia examines the significance of the new opportunities for Serbian cinema offered by the country’s inclusion in the Eurimages and MEDIA programs and identifies major turning points and thematic markers within recent Serbian films. It analyses several distinct facets of recent cinematic developments: the emergence of a new wave of young directors whose films contain innovative cinematic and social perspectives; the rise in popular historical genre films supporting nationalist values; and the abundance of commercial – but often unpopular - filmmaking, marked by repetitive genre formulas and stereotypical themes.
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