恐怖原型与象征主义小说中哥特恐怖的转化问题

S. Titarenko
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引用次数: 0

摘要

本文致力于研究费奥多尔·索洛古布、瓦列里·布留索夫、安德烈·别列、阿列克谢·雷米佐夫、阿列克谢·斯卡尔金等人的象征主义小说中哥特传统的转变。分析了深渊、混沌、迷宫和圆圈的原型和象征意象及母题。它们定义了哥特恐怖功能的变化。该研究着眼于仪式神话中的“成人仪式”的再现问题,“恐怖之舞”的图像,代表存在主义和形而上学恐惧的视觉和声音符号。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ARCHETYPES OF FEAR AND THE PROBLEM OF TRANSFORMATION OF THE GOTHIC HORROR IN A SYMBOLIST NOVEL
The article is dedicated to the research of gothic tradition transformation in symbolist novels of Fyodor Sologub, Valery Bryusov, Andrei Bely, Aleksey Remizov, Aleksey Skaldin and others. Archetipical and symbolic images and motifs of abyss, chaos, labyrinth and circle are analyzed. They define the change of the functions of gothic horror. The study looks at the problem of representation of ritual-mythological “rite de passage”, images of “dance macabre”, visual and sound symbols that represent existential and metaphysic fear.
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