通过维多利亚时代的报纸阅读诗人艾米·利维

Linda K. Hughes
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引用次数: 1

摘要

在这篇文章中,琳达·k·休斯阐释了艾米·列维(1861-89)在整个19世纪80年代精心挑选的报纸上巧妙地安排她的诗歌。利维最为人所知的可能是她的小说和出版的三本诗集,以及她与伦敦金融城各种知识分子和政治团体的联系。然而,事实上,她在整个19世纪80年代出版的日报和周报中都是“企业家”,经常“以一种已经得到编辑青睐的诗歌媒介提交”(第459页)。媒体出版环境对列维职业生涯的重要性在作者的学术研究中一直被低估,然而,正如休斯警告的那样,模糊她的作者身份的这一维度是“错过了她作品的一个关键维度,甚至歪曲了她的成就和她与出版界的关系”(第456页)。从这个叙述中浮现出来的是一个全新的视角,将列维视为一个精明而有策略的报纸诗人,对诗歌与“维多利亚时代新闻界的听众、位置和机会”的关系有着敏锐的理解(第457页)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading Poet Amy Levy through Victorian Newspapers
In this essay, Linda K. Hughes casts light on Amy Levy’s (1861–89) dexterous placement of her poetry in carefully selected newspapers throughout the 1880s. Levy is perhaps best known for her novels and three published volumes of poetry, as well as for her associations with various intellectual and political coteries in fin de siècle London; however, she was, in fact, ‘entrepreneurial’ in her dealings with the daily and weekly newspapers she published in throughout the 1880s, often ‘submitting in a verse medium that had already found favor with the editors’ (p. 459). The significance of media publishing contexts for Levy’s career has been underplayed in scholarship of the author, yet, as Hughes cautions, to obscure this dimension of her authorship is ‘to miss a crucial dimension of her work, even to distort her achievement and her engagement with the publishing world’ (p. 456). What emerges from this account is an entirely new perspective on Levy as a savvy and strategic newspaper poet, with a perspicacious understanding of poetry’s relationship with ‘audience, placement, and opportunity in the Victorian press’ (p.457).
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