{"title":"空间,阴影,非地点","authors":"Mónica Güell","doi":"10.30687/978-88-6969-432-5/005","DOIUrl":null,"url":null,"abstract":"The present contribution aims to study two pieces of the Catalan drama author Lluïsa Cunillé, Barcelona, mapa d’ombres and Islàndia, and the rhapsodic pulsion of these texts in their relation to space: dramatic space and literary space. It also focuses on non-places and the notion of nowhere, and finally we examine the function of some touristic guides.","PeriodicalId":162206,"journal":{"name":"Lugares ¿Qué lugares?","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Espacios, sombras, no-lugares\",\"authors\":\"Mónica Güell\",\"doi\":\"10.30687/978-88-6969-432-5/005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present contribution aims to study two pieces of the Catalan drama author Lluïsa Cunillé, Barcelona, mapa d’ombres and Islàndia, and the rhapsodic pulsion of these texts in their relation to space: dramatic space and literary space. It also focuses on non-places and the notion of nowhere, and finally we examine the function of some touristic guides.\",\"PeriodicalId\":162206,\"journal\":{\"name\":\"Lugares ¿Qué lugares?\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Lugares ¿Qué lugares?\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/978-88-6969-432-5/005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lugares ¿Qué lugares?","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/978-88-6969-432-5/005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
目前的贡献旨在研究加泰罗尼亚戏剧作者Lluïsa cunill,巴塞罗那,mapa d 'ombres和Islàndia的两部作品,以及这些文本与空间的关系:戏剧空间和文学空间。本文还着重讨论了“非地点”和“无处”的概念,最后考察了一些导游的功能。
The present contribution aims to study two pieces of the Catalan drama author Lluïsa Cunillé, Barcelona, mapa d’ombres and Islàndia, and the rhapsodic pulsion of these texts in their relation to space: dramatic space and literary space. It also focuses on non-places and the notion of nowhere, and finally we examine the function of some touristic guides.