退潮边缘:黑米与潮汐转移的节奏

Anne-Lise François
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引用次数: 0

摘要

摘要:植物及其栽培者在文化习俗的再现、维护和传播中发挥着特殊的作用,尽管这种作用尚不明确。定居者认为,这些文化习俗因被暴力打断而被彻底抹去。提出了在根的转移和种子的运输中,什么能延续,什么不能延续的问题,通过某些植物的持续繁荣和照料而生存,使本期特刊的论文征稿将重点放在优先和不完成的辩证法上,定义了一种既先于当代环境灾难又逃避结论的破坏,仍然未完成,未实现,因为它仍在进行中。用呼吁的话说,这里收集的文章来自“一种双重冲动:一种是说,有些东西已经被摧毁了,但还没有被感知到;另一种是,有些东西还没有被摧毁,它们不需要关键的恢复就能存在。”当我试图写这篇文章的时候,有多少次我被敬畏和悲伤所阻挡:敬畏宇宙的兴衰、洪水和衰退的节奏之美,人类社会已经学会了与之相关的移动和生活,通过标量模仿和选择性强调,使这些节奏得到缓解;为定居者殖民主义对这种相互模式的暴力破坏感到悲痛。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Receding Margins: Black Rice and the Rhythms of Tidal Transfer
Abstract:Plants and their cultivators play a privileged, if ambiguous, role in the recreation, maintenance, and transmission of cultural practices that settler colonialism believes to have definitively erased for having violently interrupted. Raising the question of what does and does not carry over in the transfer of roots and transport of seeds, survivance through the continued flourishing and tending of certain plants brings into focus what this special issue’s call for papers identifies as the dialectic of priority and incompletion defining a destruction that both precedes contemporary environmental calamity and escapes conclusion, remaining as unfinished, as unachieved, as it is still ongoing. In the words of the call, the articles collected here proceed from “a dual impulse: both to say there are things that have been destroyed which have yet to be perceived, and, there are things which have not been destroyed, which subsist without the need for critical recovery.” Numerous times when trying to write this essay, I have been stopped in equal measure by awe and grief: awe at the beauty of the cosmic rhythms of rise and fall, flood and recession, in relation to which human societies have learned to move and live, bringing these rhythms into relief through scalar mimesis and selective accentuation; grief at settler colonialism’s violent disruption of this mutual patterning.
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