艺术作为一种文化系统

C. Geertz
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引用次数: 215

摘要

这篇论文是克利福德·格尔茨总结其思想的四个核心文本之一。格尔茨建议将艺术理解为一种社会现象,并给出审美经验的社会人类学解释。结构主义将艺术分析为根据其内在逻辑发展的封闭符号系统,而激进的功能主义则试图研究艺术,好像它的主要功能是维持既定的文化制度,与此相反,格尔茨建议将艺术作品视为其创造者重要经验的象征性表达。在这种情况下,艺术作品的审美感知能力被视为识别其包含的符号的能力-参与相关文化(宗教,商业,仪式等)实践的能力。作者以当时的研究为例说明了他的论点:新几内亚的亚伯兰部落、西非的约鲁巴人、四世纪意大利和现代摩洛哥的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art as a Cultural System
The paper is one of the four central texts where Clifford Geertz summarized his ideas. Geertz suggests an understanding of art as a social phenomenon and gives a social anthropological account of aesthetic experience. In opposition to structuralism, which analyzes art as a closed sign system developing according to its inherent logic, and to radical functionalism, which attempts to study art as if its main function was to maintain established institutions of culture, Geertz proposes to view a work of art as a symbolical expression of the significant experience of its creator. In this case the ability of aesthetic perception of the work of art is treated as the ability to recognize the symbols it contains - the ability that results from involvement in the relevant cultural (religious, commercial, ceremonial, etc.) practices. Author illustrates his argument by the examples from the studies of that time: studies of Abelam tribe of New Guinea, Yoruba people of Western Africa, Quattrocento Italia, and modern Morocco.
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