没有情节的文本研究:索尔蒂科夫-谢德林的《赫雷普丘金的早晨》与屠格涅夫的《大路上的谈话》

Yong-sik Paik
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引用次数: 0

摘要

本文对没有情节的文本进行了研究,分析了萨尔提科夫-谢德林的独幕剧《赫雷普丘金的早晨》和屠格涅夫的独幕剧《大路上的谈话》。Saltykov-Schedrin将《赫雷普丘金的早晨》描述为戏剧小品。这表明他把对社会状况的描写作为他的意图。《赫列普丘金的早晨》中没有主题;剧集之间的关系非常松散,每个场景都是相互独立的。在对话中没有连贯的主题,这导致了冲突和事件的缺失:“赫雷普丘金的早晨”属于没有情节的文本。人物聚集在一个空间里交谈,在这方面,萨尔蒂科夫-谢德林的独幕剧属于讨论模式。在屠格涅夫的独幕剧《大路上的对话》中,人物的对话既不以动机和计划为导向,也不以目的和目标为导向。主人、仆人和马车夫之间没有阴谋、冲突或达到个人利益的事件:这部独幕剧是没有情节的文本。戏剧的内容完全由马车上人物之间的对话组成;“大街上的对话”属于讨论模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on the Text Without Plot: M. Saltykov-Shchedrin’s “Morning at Khreptyugin” and I.Turgenev's “Conversation on the High Road”
This paper is devoted to study the text without plot: M. Saltykov-Shchedrin’s one-act play “Morning at Khreptyugin” and I. Turgenev's one-act play “Conversation on the High Road” are analyzed. Saltykov-Schedrin described the genre of “Morning at Khreptyugin” as dramatic sketch. It suggests that he made the depiction of social conditions as his intention. There is no motif in “Morning at Khreptyugin”; the relationship between the episodes is very loose, and each scene is independent of each other. There is no coherent subject in the dialogue, what leads to the absence of conflicts and events: “Morning at Khreptyugin” belongs to the text without plot. The characters gather in one space and talk, and in this respect, Saltykov-Schedrin’s one-act play belongs to the discussion model. In Turgenev's one-act play “Conversation on the High Road”, the dialogues of the characters are oriented neither towards motive and plan, nor towards a purpose or goal. There are no intrigue, conflict or event to achieve personal interests between the master, the servant and the coachman: This one-act play is the text without plot. The content of the play consists entirely of dialogues between the characters on the carriage; “Dialogue on the Main Road” belongs to a discussion model.
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