Invisible spot

The extension of Nanography to Cinematic Projection (various experiments based on the act of "seeing") the works prove that the attempt to present a new perspective on the act of seeing are made in various stages. Major works are motivated by comparing the images of old and new Hanji (traditional Korean paper) taken by an electron microscope. In the image of the old Hanji, Mother Nature is engrained with the traces of time accumulated. The image resembles the scenery of mountain in that there are soil, trees grow, flowers bloom and fruits are born. With this motive, the background of this work turns to the nature. The photo works are harvested in the process of shooting all over the country by time and season. They highlight the contingency rather than intentionality and enhance fictitiousness by blurring the line between the actual forest and the virtual reality synthesized with a nano-image. Why don't we imagine that the screen-like image in the wild nature is the screen of an outdoor theater? By stimulating the emotional code of a fictional drama, it spurs us to recall movies based on a specific situation. This work led to an opportunity for the artist to naturally develop the sense of improvisation and direction in the field and to integrate it into other cultural areas. My nano-image was projected behind a scene on a stage of a documentary film starring a pianist, as part of a theater stage set, on a small village in Jeju island, and on a house designed by H-Sang, Seung 's 18 years ago. The space of life and the space of fiction become more romantic because of the fictional clothes that are worn for a while. As the project progresses, the cultural sensitivity becomes more intense against the back drop of science.