驾驭神经症的野马沉思表现教学法

L. Worley
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引用次数: 0

摘要

在制定训练演员进行即兴表演的组织原则时,Worley转向亚洲哲学和藏传佛教,寻求沉思的方法,并暗示了一些替代通常的观众/演员关系的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Harnessing the Wild Horses of Neurosis Contemplative Performance Pedagogy
Developing organizing principles for training actors in improvisational forms, Worley turns to Asian philosophies and Tibetan Buddhism for contemplative approaches and some hints at alternatives to the usual audience/actor relationship.
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