跨物种亲属困境:《侏罗纪公园》系列中的收养和恐龙

Anne Morey, C. Nelson
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引用次数: 1

摘要

史蒂文·斯皮尔伯格的《侏罗纪公园》系列电影(1993 -)共有五部,其中每一部都以收养为主题,特别关注养父,既把收养作为一个问题,也把收养作为解决原生家庭和这个家庭所处的商品文化问题的方法。这部电视剧反复追溯“证实”(我们借用了克里斯汀·沃德·盖利(Christine Ward Gailey)这个词)的过程,要求成年人照顾那些起初在情感上和基因上都与他们疏远的孩子。然而,肯定收养是解决美国家庭弱点的一种倾向与愿意考虑收养引起注意的棘手问题共存,这些问题包括儿童的商品化、对亲生父母的剥削以及生殖生物技术的伦理问题。本文将研究该系列的每一部分,以演示该系列提供的关于采用的评论的范围和复杂性。虽然所有的电影都表现出某种结构上的共性,但每部电影也都关注不同的与收养有关的问题,让观众把这些电影看作是对20世纪末和21世纪初美国收养社区长达数十年的思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cross-Species Kinship Dilemmas: Adoption and Dinosaurs in the Jurassic Park Franchise
abstract:Each of the five films currently comprising Steven Spielberg's Jurassic Park series (1993–) presents adoption, with a particular focus on the adoptive father, both as a problem and as the solution to problems within the birth family and the commodity culture within which that family is situated. The series repeatedly traces the process of "substantiation" (we borrow this term from Christine Ward Gailey) by requiring adults to look after children from whom they are at first emotionally as well as genetically distant. Yet the tendency to affirm adoption as a solution to weaknesses in the American family coexists with a readiness to consider thorny issues to which adoption draws attention, including the commodification of children, the exploitation of birth parents, and the ethical dimensions of reproductive biotechnologies. This article examines each installment of the franchise to demonstrate the scope and complexity of the commentary on adoption that the series provides. For while all the films manifest certain structural commonalities, each also focuses on a different adoption-related issue, allowing the viewer to read the collective as a decades-long meditation on the preoccupations of the American adoption community in the late twentieth and early twenty-first centuries.
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