没有计划的人生?自由音乐家在流行病的边缘

IF 1.9 2区 社会学 Q2 GEOGRAPHY
Anna Nørholm Lundin
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引用次数: 1

摘要

2019冠状病毒病大流行加剧了自由职业者本已岌岌可危的状况。这项研究的目的是了解自由音乐家处于流行病的边缘意味着什么。采访了13位瑞典古典音乐专业自由音乐家,讲述了他们在大流行期间的经历。从布迪厄、情感社会学和情感地理学的概念提供了一个理论参考框架。这使我们能够理解,作为一个自由职业者,在工作的地点和空间以及时间和情感的投入方面,被打乱和打乱意味着什么。结论是关于由大流行引起的矛盾情绪和情绪管理过程。对于自由音乐人来说,这就像被抛回了时间和地点(回到了职业生涯缓慢建立的地方),这取决于他们能否进入现场演出、试镜和社交场所。然而,虽然与职业生涯的正常运行有一定距离,但已经开始了批判性反思和重新定位的建设性进程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A life without a plan? Freelance musicians in pandemic limbo

The Covid-19 pandemic has exacerbated the already precarious conditions of freelance workers. The aim of this study is to understand what it means for freelance musicians to be in pandemic limbo. Thirteen Swedish professional freelance musicians in the classical genre were interviewed about their experiences in the midst of the pandemic. A theoretical frame of reference is offered with concepts from Bourdieu, sociology of emotions and emotional geographies. This enables an understanding of what it means as a freelancer to be dislocated and disrupted in relation to places and spaces of work and investments in time and emotions. The conclusions are about the ambivalent emotions and processes of emotional management that are caused by the pandemic. For freelance musicians, depending on their access to the live-settings of gigs, auditions and social venues, it is like being thrown back in time and place (back to where careers were slowly built). However, while at a distance from the normal run of careers, constructive processes of critical reflection and re-orientation have been initiated.

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来源期刊
CiteScore
3.90
自引率
11.10%
发文量
45
审稿时长
45 days
期刊介绍: Emotion, Space and Society aims to provide a forum for interdisciplinary debate on theoretically informed research on the emotional intersections between people and places. These aims are broadly conceived to encourage investigations of feelings and affect in various spatial and social contexts, environments and landscapes. Questions of emotion are relevant to several different disciplines, and the editors welcome submissions from across the full spectrum of the humanities and social sciences. The journal editorial and presentational structure and style will demonstrate the richness generated by an interdisciplinary engagement with emotions and affects.
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