品牌未来的神奇工作:迪士尼的神话创造。

IF 2.4 2区 文学 Q1 COMMUNICATION
Jake Pitre
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引用次数: 0

摘要

近一个世纪以来,华特迪士尼公司一直采取积极的品牌管理方式。随着对一些声誉卓著的公司的收购,这种侵略在媒体行业已经变得不可忽视。与此同时,迪士尼已经接受了数字扩张主义,并在2019年底推出了自己的点播流媒体服务Disney+。该平台的纪录片系列为了解迪士尼帝国的新时代提供了一个独特的窗口,有效地展示了在创造和维护我所谓的品牌未来的过程中,公司遗产和历史的谨慎导航。在数字和流媒体经济的背景下,批判性地思考集体想象的概念,本文认为,这些纪录片说明了迪士尼的数字企业战略是对精彩作品和不断扩大的价值的叙述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

The Magical Work of Brand Futurity: The Mythmaking of Disney.

The Magical Work of Brand Futurity: The Mythmaking of Disney.

The Magical Work of Brand Futurity: The Mythmaking of Disney.

The Walt Disney Company has maintained an aggressive approach to brand management for nearly a century. With the acquisition of a number of highly reputable companies, this aggression has become unignorable within the media industry. At the same time, Disney has embraced digital expansionism, culminating with the launch of its own on-demand streaming service, Disney+, in late 2019. The platform's documentary series offer a unique window into this new era of the Disney empire, usefully demonstrating the careful navigation of corporate legacy and history in the creation and maintenance of what I term brand futurity. Thinking critically about the concept of collective imaginaries in the context of the digital and streaming economies, this article argues that these docuseries illustrate Disney's digital corporate strategy as a narrativization of wonderful work and ever-expanding value.

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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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