Topological Phenomenology of Space Architecture as Roots of Infinity

P. Magyar
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Abstract

Ideas mature, but interestingly enough, they never get old! It is also notable, how are they born. In my case, two elements brought them forward: one question, and an admirably unique surrounding. Let me begin with the latter one. In the beginning of my so-called mid-career, I had the great opportunity, to live, practice and teach in Africa! For almost four years, we lived in Zaria, an ancient Nigerian town, with a modern university outside its medieval walls. It is impossible to list all the enlightening influences one encounters in a strange, yet deep rooted culture! Worthy of at least another article, the muslim socio-religious ideas, the abundance of the reddish laterite-mud, and the inherent human ability to build, produced an incredibly homogeneous physical and ideological environment. Addressing here only the physical one, it was almost dream-like uniformity between the ground, the walls and roofs of the self-built villages! So no wonder, when in the process of designing a modern, but traditional house to the city of Ife, another old town, to the question, what is the condition of spatial continuity, the subconsciously preprogrammed answer was: surface continuity! This obvious recognition of an element, visually dominantly present everywhere, fermented further meditations on that subject and the idea of the "Spaceprint" was born.
空间建筑作为无穷根的拓扑现象学
想法是成熟的,但有趣的是,它们永远不会变老!同样值得注意的是,他们是如何出生的。在我的例子中,有两个因素促使我提出这个问题:一个问题,以及一个令人钦佩的独特环境。让我从后者开始。在我所谓的中期职业生涯的开始,我有一个很好的机会,在非洲生活,练习和教学!我们在尼日利亚古老的城镇扎里亚住了将近四年,在中世纪的城墙外有一所现代化的大学。在一个陌生而又根深蒂固的文化中,我们不可能列出所有的启发!至少值得另写一篇文章,穆斯林的社会宗教思想,丰富的红土,以及人类与生俱来的建筑能力,创造了一个令人难以置信的同质的物质和意识形态环境。这里只谈实体的一面,自建村庄的地面、墙壁和屋顶之间几乎是梦幻般的一致!因此,难怪在为另一个古老的城市Ife设计一个现代而又传统的房子的过程中,对于空间连续性的条件是什么这个问题,潜意识的预先编程的答案是:表面连续性!这种对一种元素的明显认识,在视觉上无处不在,激发了对这个主题的进一步思考,“太空印记”的想法诞生了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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