{"title":"Topological Phenomenology of Space Architecture as Roots of Infinity","authors":"P. Magyar","doi":"10.4172/2168-9717.1000148","DOIUrl":null,"url":null,"abstract":"Ideas mature, but interestingly enough, they never get old! It is also notable, how are they born. In my case, two elements brought them forward: one question, and an admirably unique surrounding. Let me begin with the latter one. In the beginning of my so-called mid-career, I had the great opportunity, to live, practice and teach in Africa! For almost four years, we lived in Zaria, an ancient Nigerian town, with a modern university outside its medieval walls. It is impossible to list all the enlightening influences one encounters in a strange, yet deep rooted culture! Worthy of at least another article, the muslim socio-religious ideas, the abundance of the reddish laterite-mud, and the inherent human ability to build, produced an incredibly homogeneous physical and ideological environment. Addressing here only the physical one, it was almost dream-like uniformity between the ground, the walls and roofs of the self-built villages! So no wonder, when in the process of designing a modern, but traditional house to the city of Ife, another old town, to the question, what is the condition of spatial continuity, the subconsciously preprogrammed answer was: surface continuity! This obvious recognition of an element, visually dominantly present everywhere, fermented further meditations on that subject and the idea of the \"Spaceprint\" was born.","PeriodicalId":15092,"journal":{"name":"Journal of Architectural Engineering Technology","volume":"91 1","pages":"1-5"},"PeriodicalIF":0.0000,"publicationDate":"2015-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Architectural Engineering Technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4172/2168-9717.1000148","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Ideas mature, but interestingly enough, they never get old! It is also notable, how are they born. In my case, two elements brought them forward: one question, and an admirably unique surrounding. Let me begin with the latter one. In the beginning of my so-called mid-career, I had the great opportunity, to live, practice and teach in Africa! For almost four years, we lived in Zaria, an ancient Nigerian town, with a modern university outside its medieval walls. It is impossible to list all the enlightening influences one encounters in a strange, yet deep rooted culture! Worthy of at least another article, the muslim socio-religious ideas, the abundance of the reddish laterite-mud, and the inherent human ability to build, produced an incredibly homogeneous physical and ideological environment. Addressing here only the physical one, it was almost dream-like uniformity between the ground, the walls and roofs of the self-built villages! So no wonder, when in the process of designing a modern, but traditional house to the city of Ife, another old town, to the question, what is the condition of spatial continuity, the subconsciously preprogrammed answer was: surface continuity! This obvious recognition of an element, visually dominantly present everywhere, fermented further meditations on that subject and the idea of the "Spaceprint" was born.