Cairo-Berlin Return: early Arab-German Cooperation in Film – The Egyptian-German Example

IF 0.6 Q3 COMMUNICATION
Irit Neidhardt
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Abstract

The Arab-German cooperation in film began after World War I in 1919/1920 when the first Egyptians came to learn the then brand new art in Germany, and has been continuing with different Arab partners ever since. Yet there is neither a public nor a professional awareness of this history. When Arab and German film professionals meet at international co-production platforms today, they practically get together as strangers. Despite its richness, the common history does not serve as a point of reference. It is not written. This paper, therefore, attempts to shed light on this forgotten period of cooperation. It looks at how and why such a collaboration was initiated. Moreover, it describes its different formats and also why the Egyptian-German encounter eventually came to an end.
开罗-柏林回归:早期阿拉伯-德国电影合作——埃及-德国范例
阿拉伯和德国在电影方面的合作始于1919/1920年第一次世界大战后,当时第一批埃及人来到德国学习当时全新的艺术,此后一直与不同的阿拉伯伙伴继续合作。然而,无论是公众还是专业人士都没有意识到这段历史。今天,当阿拉伯和德国的电影专业人士在国际合作平台上见面时,他们实际上是陌生人。尽管这段共同的历史很丰富,但它并不能作为一个参考点。没有明文规定。因此,本文试图阐明这段被遗忘的合作时期。它着眼于如何以及为什么发起这样的合作。此外,它还描述了两场比赛的不同形式,以及埃及与德国的比赛最终结束的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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