Unboxing the Chinese Blind Boxes among China’s grown-up missing children: Probabilistic and elastic prosumption through mediated collection, exchange and resale of figurines

IF 3.2 2区 文学 Q1 COMMUNICATION
T. W. Whyke, Z. Chen, Joaquin Lopez-Mugica, Aiqing Wang
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引用次数: 0

Abstract

This paper situates the ‘Blind Box’ consumption, collection and prosumption practices in China within globalisation and the ‘media-mix’ fandom, which is to consume and resell media merchandise in opaque packages as probability goods. We re-centre the focus of fandom studies on the then much neglected ‘missing child’ and now the ‘emerging adult’ in a globalising world. We argue the Chinese emerging adult consumes, collects and resells Blind Boxes as a generative and agentic collection and fandom practice, defined as ‘probabilistic and elastic prosumption’ in a quasi-social and quasi-individual manner. We then critically examine and unpack the cultural production and meaning making process undertook by collectors who also accumulate sociality and form identity through affective and economic investments, mediated collection and exchange of figurines in a post-socialist and consumerist society.
打开中国成年失踪儿童的中国盲盒:通过中介收集、交换和转售的概率和弹性消费
本文将中国的“盲盒”消费、收藏和消费实践置于全球化和“媒介混合”狂热之中,即以不透明的包装作为概率商品消费和转售媒体商品。在全球化的世界里,我们重新将粉丝研究的焦点集中在当时被忽视的“失踪的孩子”和现在的“新兴成人”上。我们认为,中国新兴成人消费、收集和转售盲盒是一种生成性和代理性的收集和狂热实践,被定义为一种准社会和准个人方式的“概率性和弹性消费”。然后,我们批判性地审视和解读收藏家所承担的文化生产和意义制造过程,这些收藏家也通过情感和经济投资、中介收集和交换后社会主义和消费主义社会的雕像来积累社会性和形成身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Global Media and China
Global Media and China COMMUNICATION-
CiteScore
3.90
自引率
14.30%
发文量
29
审稿时长
15 weeks
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