“That’s Why They Call It Window Pain”

IF 0.4 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
S. Shelton, S. Melchior
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引用次数: 0

Abstract

We are both first-generation women PhDs who survived traumatic, abusive childhoods, and found ourselves caretakers of those who once cared for us, in the height of COVID-19 lockdowns. The pandemic complicated our responsibilities in un/comfortable and un/expected ways, as care of parents and academic positions, all differently fragile, required negotiating dis/connections between academia and family, all while the virus and uncertainty hung thick in the air. This article is written as a collaborative travelogue with personal pictures and narratives, to emphasize our traversing back and forth between these worlds, and often pausing on our journeys to rest, to worry, to cry, and to celebrate, in the in-between spaces. Gloria Anzaldúa’s (2000; Anzaldúa & Keating, 2002) discussions of liminalities as uncomfortable and sometimes desirable and sometimes intentional guide our journeys, as does Sara Ahmed’s (2017) emphasis on the power to stretch spaces of discomfort to find pleasure and comfort in traveling through/settling into liminal spaces.
“这就是为什么人们称它为窗痛”
我们都是第一代女性博士,经历了创伤和虐待的童年,在COVID-19封锁的高峰时期,我们发现自己要照顾那些曾经照顾过我们的人。大流行使我们的责任以一种不舒服和意想不到的方式复杂化,因为照顾父母和学术职位都是不同的脆弱,需要在学术界和家庭之间进行谈判,断绝联系,而病毒和不确定性在空气中弥漫。这篇文章以个人照片和叙述的形式写成,强调我们在这些世界之间来回穿梭,并经常在旅行中停下来休息,担心,哭泣,庆祝,在两者之间的空间。Gloria Anzaldúa (2000;Anzaldúa & Keating, 2002)讨论阈限是不舒服的,有时是可取的,有时是有意的指导我们的旅程,正如萨拉·艾哈迈德(2017)强调伸展不适空间的力量,在穿越/进入阈限空间时找到快乐和舒适。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Departures in Critical Qualitative Research
Departures in Critical Qualitative Research Arts and Humanities-Language and Linguistics
CiteScore
0.80
自引率
0.00%
发文量
14
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