The Cultural Creation of the Ethnic Korean Minority in China

PRISM Pub Date : 2021-10-01 DOI:10.1215/25783491-9290704
Jerôme de Wit
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Abstract

Korean-Chinese literature after the establishment of the People's Republic of China (PRC) predominantly eulogized the lives of farmers. Such literature portrayed farmers' lives and how, through their work, they could transform both their own livelihoods and that of the nation, this time not in the name of imperialism, but communism. Although such stories reflect themes that one finds in Chinese literature from that period, stories written by Korean-Chinese authors are distinct because they do not shy away from depicting their shared historical experiences under Japanese colonial rule in Manchukuo. Moreover, this colonial experience was in fact highlighted to make it play an important role in the creation and fortification of a Korean-Chinese identity. The Korean-Chinese stories from this period focus exclusively on the local to conjure an image of community. Local problems, however, were often construed as colonial remnants from the Japanese rule in Manchukuo and, in turn, stressed the perceived existence of class differences inside Korean-Chinese communities. While their literature was an attempt to expunge such traits and unify the Korean-Chinese community, they inadvertently created new narratives that exacerbated existing tensions and divisiveness instead.
中国朝鲜族的文化创作
中华人民共和国成立后,朝鲜族文学以歌颂农民生活为主。这些文学作品描绘了农民的生活,以及他们如何通过劳动改变自己和国家的生计,这一次不是以帝国主义的名义,而是以共产主义的名义。虽然这些故事反映了当时中国文学的主题,但朝鲜族作家的故事却与众不同,因为他们不回避日本帝国主义强占时期的共同经历。此外,这种殖民经历实际上被强调,使其在创造和巩固朝鲜族中国身份方面发挥了重要作用。这一时期的朝鲜族故事只关注当地,营造出一种社区的形象。然而,当地的问题往往被解释为日本在满洲国统治下的殖民残余,反过来又强调了朝鲜-中国社区内部存在的阶级差异。虽然他们的文学作品试图消除这些特征,统一韩中社区,但他们无意中创造了新的叙事,反而加剧了现有的紧张关系和分歧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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