All the small things: Depicting the randomization of grief in (digital) short fiction

Q2 Arts and Humanities
Lynda Clark
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引用次数: 0

Abstract

When I read scholar Tia-Monique Uzor’s recent tweet about how she had been thinking about grieving as a practice and how to hold spaces for collective grief and to make room for grief over seemingly small things, I realized that this was what I had been doing when writing fiction that was obliquely about my sister’s death. The collective grief I had sought was not the public ritual of the funeral, but the asynchronous sharing of short fiction. I needed to grieve not only the big, obvious losses of my sister and way of life during COVID-19 but also all the ‘seemingly small things’ that come together to constitute my experiences of loss. This article is an attempt to reflect on that process and how complex narrative structures can provide a tool for expressing complex emotions and experiences. It considers grief as a multifarious topic and writing techniques for conveying that multiplicity. Finally, it explores technology, randomization and text generation as tools which further expand writers’ expressive capabilities.
所有的小事情:在(数字)短篇小说中描绘悲伤的随机化
当我读到学者Tia-Monique Uzor最近的推特时,我意识到这就是我在写小说时所做的,这些小说间接地讲述了我姐姐的死亡,她一直在思考如何将悲伤视为一种实践,以及如何为集体悲伤留出空间,为看似微不足道的事情腾出空间。我所寻求的集体悲痛不是葬礼的公开仪式,而是不同步地分享短篇小说。我不仅要为我姐姐在COVID-19期间明显的重大损失和生活方式感到悲伤,还要为所有“看似微不足道的事情”感到悲伤,这些事情共同构成了我的失去经历。本文试图反思这一过程,以及复杂的叙事结构如何为表达复杂的情感和体验提供工具。它认为悲伤是一个多样的话题,以及表达这种多样性的写作技巧。最后,探讨了技术、随机化和文本生成作为进一步扩展作家表达能力的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Short Fiction in Theory and Practice
Short Fiction in Theory and Practice Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
13
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