Right wing and Street-theatre: from censure to co-option

Abstract

ABSTRACT This paper examines the modes of cultural organisation that facilitate the Right-wing’s appropriation of historically Left-wing theatre practices such as the Street-theatre in New Delhi in the service of percolating Hindu-nationalism. The paper suggests that a thorough understanding of the organisation behind the creative methods for mobilisation employed by the Right-wing is indispensable if strategies of resisting co-option and building an effective opposition have to be conceived.