Mulan in China and America: From Premodern to Modern

IF 0.3 3区 文学 0 LITERATURE
Qing Yang
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引用次数: 11

Abstract

ABSTRACT Mulan legend has traveled from Chinese culture to America undergoing the process of cultural filtration. Compared with Mulan in classical Chinese literature, the system of representations behind Mulan in America has undergone variation. But how and why does it vary? And what is the significance of the variation? This paper is going to analyze the cause of the variation of Mulan by reviewing the changes and development in both China and America from the perspective of the Variation Theory of Comparative Literature. This paper claims that Mulan has developed into a new system of representations via cultural filtering and authors’ reinterpreting when traveling to America. Yet, the cultural codes behind Mulan that have variated do not merely reveal the differences between Chinese and American culture but more importantly the difference between premodern and modern ethics, between ancient China and the modern West.
中美花木兰:从近代到现代
木兰传说从中国文化流传到美国,经历了文化过滤的过程。与中国古典文学中的花木兰相比,美国花木兰背后的表现体系发生了变化。但是它是如何变化的,为什么会变化呢?这种变化的意义是什么?本文拟从比较文学变异理论的角度,通过回顾中美两国《花木兰》的变迁与发展,分析《花木兰》变异的原因。本文认为,《花木兰》在美游过程中,经过文化的过滤和作者的重新诠释,形成了一种新的表现体系。然而,花木兰背后的文化规范的变化,不仅揭示了中美文化的差异,更重要的是前现代与现代伦理的差异,古代中国与现代西方的差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Comparative Literature East  West
Comparative Literature East West Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
14
审稿时长
20 weeks
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