The Great War of the Postcards

IF 0.1 4区 社会学 0 ASIAN STUDIES
J. Strauss
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引用次数: 0

Abstract

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.
明信片大战
本文考察了第一次世界大战期间图片明信片的功能和意义,特别是在奥斯曼帝国土地和巴尔干半岛的战争,或涉及加利西亚的土耳其军队。在介绍了主要的Kriegspostkarten类型——情感明信片、幽默明信片、宣传明信片和艺术明信片(k nstlerpostkarten)之后,讨论了不同的战场(巴尔干半岛、加利西亚、中东)及其特征,因为它们反映在明信片上。该作品还包括东方主义的影响,假视图的问题,以及摄影明信片,肖像和照片卡的意义和影响等方面。明信片在书籍插图中的作用是用一个典型的例子来说明的(F. C. Endres, Die trkei(1916))。在第一次世界大战期间,一名在土耳其、叙利亚和伊拉克服役的德国士兵留下的明信片集的具体特征将在本文的最后介绍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Archiv Orientalni
Archiv Orientalni Multiple-
CiteScore
0.20
自引率
0.00%
发文量
26
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