{"title":"Comics Form and Narrating Lives","authors":"Hillary L. Chute","doi":"10.1632/PROF.2011.2011.1.107","DOIUrl":null,"url":null,"abstract":"“Comics Form and Narrating Lives” explores why the medium of comics inclines itself to historical and life narrative. The essay focuses on two recent graphic narratives that consider archives both thematically and formally: Alison Bechdel’s Fun Home, a memoir, and Joe Sacco’s Footnotes in Gaza, a work of comics journalism. Fun Home meditates on and incorporates a family archive, suggesting the author’s embodied relation to her family history through her redrawing of paper archives. Footnotes in Gaza, an investigation of two 1956 massacres in Palestine, visually materializes a previously unarchived set of oral testimonies from survivors of each event. Both works show how experiments with space and time—including diagramming a life on the page and overlaying past and present moments, along with comics’ intense focus on locating bodies in space—allow the form to urgently address itself to the project of narrating lives. (HC)","PeriodicalId":86631,"journal":{"name":"The Osteopathic profession","volume":"78 1","pages":"107-117"},"PeriodicalIF":0.0000,"publicationDate":"2011-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"49","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Osteopathic profession","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1632/PROF.2011.2011.1.107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 49
Abstract
“Comics Form and Narrating Lives” explores why the medium of comics inclines itself to historical and life narrative. The essay focuses on two recent graphic narratives that consider archives both thematically and formally: Alison Bechdel’s Fun Home, a memoir, and Joe Sacco’s Footnotes in Gaza, a work of comics journalism. Fun Home meditates on and incorporates a family archive, suggesting the author’s embodied relation to her family history through her redrawing of paper archives. Footnotes in Gaza, an investigation of two 1956 massacres in Palestine, visually materializes a previously unarchived set of oral testimonies from survivors of each event. Both works show how experiments with space and time—including diagramming a life on the page and overlaying past and present moments, along with comics’ intense focus on locating bodies in space—allow the form to urgently address itself to the project of narrating lives. (HC)
“漫画形式与生活叙事”探讨了漫画媒介为何倾向于历史和生活叙事。这篇文章集中在最近的两篇从主题和形式上考虑档案的图形叙述:艾莉森·贝克德尔的回忆录《欢乐之家》和乔·萨科的《加沙脚注》,一部漫画新闻作品。《趣家》对一个家族档案进行了思考和整合,通过对纸质档案的重新绘制,暗示了作者与家族历史的具象化关系。《加沙脚注》(Footnotes in Gaza)对1956年发生在巴勒斯坦的两起大屠杀进行了调查,从视觉上呈现了一组以前未存档的每起事件幸存者的口头证词。这两件作品都展示了空间和时间的实验——包括在纸上描绘生活,叠加过去和现在的时刻,以及漫画对空间中身体定位的强烈关注——如何让形式紧迫地解决自己的生活叙事项目。(HC)