ALADDIN AS AN IMMORAL ETHICIST IN ALADDIN AND THE MAGIC LAMP

J. Kahambing, Annelise Duque
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引用次数: 2

Abstract

This study delves into the tale Aladdin and the Magic Lamp as the excerpt of the Middle Eastern folk tales collection One Thousand and One Nights rather than the popular Disney version. It problematizes the figure of Aladdin and rebrands him as an immoral ethicist as opposed to Disney hero who seeks strength within himself and the other text versions of him as a changed man. This problematizing essentially entails a critique of the Westernized moral figure and its basic universal lesson in the text to argue his being immoral. To do this, the methodology of the paper follows from a philosophical reading that subjectivizes the protagonist into the question of ethics. Specifically, it takes from ieks elaboration of the Nietzschean version of an immoral ethics that remains consistent with the fidelity to ones desire. The paper shows how the plot reveals Aladdins immoral ethics that is founded on strength and constant activity but presupposing the voluntary knowledge and cleverness of his existential choice. To back this, the study finds three distinct features, namely: 1) disregard to authority, 2) love beyond good and evil, and 3) negative will to power.DOI:10.24071/ijhs.2019.030108
在《阿拉丁与神灯》中,阿拉丁是一个不道德的伦理学家
本研究将《阿拉丁与神灯》作为中东民间故事集《一千零一夜》的节选,而不是迪士尼的流行版本。它质疑了阿拉丁的形象,并将他重塑为一个不道德的伦理学家,与迪士尼英雄相反,他在自己身上寻求力量,其他文本版本的他是一个改变了的人。这种问题化本质上是对西方化的道德形象的批判,以及在文本中论证他不道德的基本普遍教训。为了做到这一点,本文的方法论遵循了一种哲学解读,即将主人公主体化到伦理问题中。具体地说,它取自尼采对不道德伦理的阐述,这与对欲望的忠诚是一致的。本文揭示了情节如何揭示了阿拉丁的不道德伦理,这种道德伦理建立在力量和不断的活动之上,但前提是他的存在选择的自愿知识和聪明。为了支持这一点,该研究发现了三个不同的特征,即:1)无视权威,2)超越善恶的爱,以及3)对权力的消极意志
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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