The role of community-based music and sports programmes in parental views of children’s social skills and personality

IF 0.9 4区 艺术学 0 MUSIC
Beatriz Ilari, P. Pérez, A. Wood, Assal Habibi
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引用次数: 14

Abstract

In this article, we report on parental perceptions of socio-emotional skills and personality of children who were involved in community-based music and sports extracurricular (EC) programmes, and a group of children not participating in EC activities. This study is part of the USC brain and music project that investigated the effects of music education on the cognitive and socioemotional development of children from underserved neighbourhoods in Los Angeles for 5 consecutive years. Our primary aim with this study was to examine parental views on the potential effects of EC programmes on children’s socio-emotional skills and personality. Parents were interviewed yearly and were asked to rate their child’s skills and personality. After four years, parents of children involved in EC activities rated their children higher on the emotional stability personality trait, lower on aggression and lower on hyperactivity compared to children not involved in EC activities despite no differences in these measures at the beginning of the study and before children’s entry into their programmes. These and other findings are discussed in light of Bronfenbrenner and Morris’s Bioecological Model of Human Development. The implications for community music are also outlined.
以社区为基础的音乐和体育节目在家长对儿童社交技能和个性的看法中的作用
在这篇文章中,我们报告了父母对参加社区音乐和体育课外活动(EC)的儿童和一组不参加EC活动的儿童的社会情感技能和个性的看法。这项研究是南加州大学大脑和音乐项目的一部分,该项目连续5年调查了音乐教育对洛杉矶服务不足社区儿童认知和社会情感发展的影响。本研究的主要目的是调查家长对教育项目对儿童社会情感技能和个性的潜在影响的看法。父母们每年都会接受采访,并被要求对孩子的技能和个性进行评估。四年后,与没有参加学前教育活动的孩子相比,参加学前教育活动的孩子的父母对他们孩子的情绪稳定性人格特征的评价更高,对攻击性和多动症的评价更低,尽管在研究开始时和孩子进入学前教育项目之前这些指标没有差异。这些和其他发现是根据布朗芬布伦纳和莫里斯的人类发展的生物生态模型来讨论的。对社区音乐的影响也进行了概述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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