THE LITERARY TRADITION IN THE NOVEL “THE FAMILY”BY NINA FEDOROVA

A. Arustamova, Diana A. Borovitskaya
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Abstract

The article discusses the specifics and features of the functioning of the literary tradition in the novel “The Family”by Nina Fedorovain the context of phenomenon of literarycentricity,which characterizes works of Russian émigré literati.In the work by the writer of the Russian abroad, there are many similarities with the novel by I.A.Goncharov “The Cliff”: at the level of the chronotope structure, individual images (the image of the Grandmother) and the image system as a whole, plot moves, motives, as well as stylistic devices. “The Family” is characterized by literary-centricity, it reproduces the atmosphere of the Russian manor culture and the topic of the Russian manor novel, the structural elements of Russian prose of the second half of the 19th century. Following the tradition allows the writer to keep in touch with Russian classical literature and Russian culture as a whole. At the same time, the recognition of the literary tradition reinforces the tragic register in the novel dedicated to the life of Russian emigrants of the first wave.The paper also considers some features of the poetics of the novel “The Family”: the role of symbolism in the figurative system of the work, the specifics of its spatial-temporal organization, the peculiarities of using metaphors, some characteristics of the narrative
尼娜·费多洛娃小说《家庭》中的文学传统
本文在俄罗斯文人文学中心主义现象的背景下,探讨了Nina fedorova的小说《家族》中文学传统功能的具体特征。在海外俄罗斯作家的作品中,与贡恰罗夫的小说《悬崖》有许多相似之处:在时间轴结构、个体形象(祖母形象)和整体形象系统、情节动作、动机以及文体手段等层面。《家族》以文学为中心,再现了俄国庄园文化的氛围,再现了俄国庄园小说的主题,再现了19世纪下半叶俄国散文的结构要素。沿袭传统,使作家得以与俄罗斯古典文学和整个俄罗斯文化保持联系。与此同时,对文学传统的承认强化了小说中对第一波俄罗斯移民生活的悲剧性描写。本文还探讨了小说《家族》的诗学特征:象征主义在作品的比喻系统中的作用,其时空组织的特殊性,隐喻运用的特殊性,叙事的一些特点
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