Transformasi Fragmen Al-Qur’an dalam Magi: Studi atas Majmu’atul-Munawwar karya KH. Syafiq Munawwar

Siddiq Abdur Rozzaq
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Abstract

The Qur’an is uniquely presented in magical culture. Most people who consider the Qur’an was final and systematic, in the magical culture the Qur’an comes with a variety of forms, different arrangements of general habits, and is used for various practical needs. In contrast to the hafiz-oriented paradigm of memorizing and preserving the Qur’an, Majmu’atul-Munawwar offers a magical perspective that transforms fragments of the Qur’an in a unique form. So, how is the quranic fragment transformation in the magical culture of Majmu’atul-Munawwar? This research applies William A. Haviland’s theory. He says that cultural elements transformed into four mechanisms: discovery, diffusion, cultural loss, and acculturation. This research explains that the quranic fragment in the Majmu’atul-Munawwar can be categorized by two: minor and major. The final form of the Quran in the Mushaf Usmani reconstructed in magical culture. Quranic fragment in Majmu’atul-Munawwar shows that the Qur’an always been transformed in different cultural spaces. Therefore the transformation of the Qur’an is a need.
《古兰经》片段的转变。Syafiq Munawwar
《古兰经》在魔法文化中是独一无二的。大多数人认为古兰经是最终的和系统的,在魔法文化中,古兰经有各种各样的形式,不同的一般习惯安排,并用于各种实际需要。与以哈菲斯为导向的记忆和保存《古兰经》的范式相反,Majmu 'atul-Munawwar提供了一种神奇的视角,将《古兰经》的片段以独特的形式转化。那么,古兰经碎片在Majmu 'atul-Munawwar的魔法文化中是如何转变的呢?本研究采用威廉·a·哈维兰的理论。他说,文化要素转化为四种机制:发现、传播、文化损失和文化适应。本研究认为,马吉穆阿图尔-穆瑙瓦古兰经碎片可分为小调和大调两类。《古兰经》的最终形式是在魔法文化中重建的。Majmu 'atul-Munawwar的《古兰经》碎片表明,《古兰经》在不同的文化空间中总是被转化的。因此,《古兰经》的转变是一种需要。
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12 weeks
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