{"title":"Resistance Gazes in Recent Music Videos","authors":"B. Osborn","doi":"10.5406/MUSIMOVIIMAG.14.2.0051","DOIUrl":null,"url":null,"abstract":"Abstract:A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimization regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"19 8 1","pages":"51 - 67"},"PeriodicalIF":0.5000,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/MUSIMOVIIMAG.14.2.0051","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:A number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimization regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.