Picturesque Savagery on Display

Abstract

This article discusses the importance of commercial exhibitions of Indigenous people in the development of anthropological practices in South America between the late nineteenth and early twentieth centuries. First, it examines the intrinsic links between commercial ventures based on the exhibition of Indigenous people and anthropological practices. These spaces of scientific popularisation allowed the anthropologists to economise the time, economic, material and human resources involved in an excursion to the field in the classic sense. The article then presents and examines the anthropometric, linguistic, photographic and musicological investigations that the German anthropologist Robert Lehmann-Nitsche (1872–1938) conducted between 1898 and 1904 on Selk'nam, Qom and Tehuelche groups exhibited in local and international commercial enterprises. Finally, through Lehmann-Nitsche's research, I explore of how European anthropologists profited from these commercial ventures for the study of indigenous people, the use of urban spaces for ‘fieldwork’ and their transformation into anthropological ‘laboratories’.