The shadow pandemic and the divine feminine in the diaspora: An analysis of Deepa Mehta’s Heaven on Earth

IF 0.5 3区 哲学 0 RELIGION
Samiksha. Laltha
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引用次数: 0

Abstract

to break free from this abuse, and this ‘exile becomes the necessary precondition to a better state’ (Said 2006:441). Using a cultural and religious lens, ‘Moses, Mohammed and Jesus’ are examples of exile (Said 2006:441). These cultural examples have played the most significant role in forming fundamental religions and cultures, especially Judaism, Islam and Christianity. This article engaged in a literary analysis of Deepa Mehta’s Heaven on Earth , with a specific focus on the shadow pandemic being domestic violence in the Indian diaspora, and on the film’s representation of the divine feminine in Indian culture. By using the lens of Hindu mythology, the feminine divine was given prominence. The film centres on the Indian diaspora in Canada. The Canadian diaspora was similar to the South African diaspora through its depiction of Indian and African people living together and experiencing a shared knowledge with specific reference to traditional medicine. Through Heaven on Earth , Mehta offered an alternative to hegemonic patriarchal religious depictions and a varied perspective on gender by highlighting the essential role of the divine feminine. The term ‘shadow pandemic’ denoted domestic violence as a ‘pandemic’ that has scourged across the world, exacerbated by the advent of the COVID-19 pandemic. Through an analysis of culture and female divinity, the main female protagonist of the text was able to exit an abusive relationship and enter into her own female power. This feminine agency was an important resource for countless women trapped in abusive relationships. Contribution: The discussion in this article centres on a literary analysis of Deepa Mehta’s Heaven on Earth (2008) with emphasis on domestic violence and the shadow pandemic with specific emphasis on women of colour in the diaspora. The analysis also makes use of a cultural lens to discuss both the snake and androgyny in diasporic Indian culture providing a counter-stance to patriarchy. This research can be utilised by hermeneutists of suspicion and specialists in the field of public theology.
散居的影子流行病和神圣的女性:对迪帕·梅塔的《人间天堂》的分析
摆脱这种虐待,这种“流亡成为一个更好的国家的必要先决条件”(Said 2006:441)。从文化和宗教的角度来看,“摩西、穆罕默德和耶稣”是流放的例子(赛义德2006:441)。这些文化范例在形成基本宗教和文化,特别是犹太教、伊斯兰教和基督教方面发挥了最重要的作用。本文对迪帕·梅塔(Deepa Mehta)的《人间天堂》(Heaven on Earth)进行了文学分析,特别关注印度侨民的家庭暴力这一阴影流行病,以及这部电影对印度文化中神圣女性的表现。通过使用印度神话的镜头,女性神被赋予了突出地位。这部电影以加拿大的印度侨民为中心。加拿大散居侨民与南非散居侨民相似,因为它描述了印度人和非洲人生活在一起,共同体验传统医学方面的知识。通过《人间天堂》,梅塔通过强调神圣女性的重要作用,提供了一种替代霸权父权制宗教描绘和性别多样化视角的选择。“影子大流行”一词将家庭暴力视为一种“大流行病”,在全球范围内肆虐,并因COVID-19大流行的到来而加剧。通过对文化和女性神性的分析,文本的主要女性主人公能够走出一种受虐的关系,进入自己的女性权力。这个女性机构是无数陷入虐待关系的女性的重要资源。贡献:本文的讨论集中在对迪帕·梅塔(Deepa Mehta)的《人间天堂》(2008)的文学分析上,重点是家庭暴力和阴影流行病,特别强调了散居海外的有色人种妇女。该分析还利用文化视角讨论了流散印度文化中的蛇和雌雄同体,提供了对父权制的反对立场。这项研究可以被怀疑的解释学家和公共神学领域的专家所利用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
50.00%
发文量
246
审稿时长
15 weeks
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