CIMCIM Call for Papers ‘Global Crises and Music Museums: Representing Music after the Pandemic’

IF 0.3 4区 艺术学 0 MUSIC
Gabriele Rossi Rognoni, Brady Michael Kuhl, A. Myers, Jen Schnitker
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Abstract

The COVID-19 pandemic has arguably caused the biggest disruption to the museum and heritage sector since the Second World War. All over the world, museums have had to close, some never to reopen, and many have had to suspend their operations for prolonged periods. However, the disruption has also invited – sometimes forced – substantial changes in the way museums perceive themselves and their interactions with their audiences. This has included an increased focus on digital offers, a reconsideration of the human relationships with external as well as internal stakeholders, new ways to guarantee the preservation, documentation and availability of collections and revised financial and sustainability planning. Some of these changes will be transitory, while others are likely to leave permanent footprints on the identity of museums and the way they operate even after the emergency has passed. This conference will highlight and discuss some of the initiatives and innovations that emerged from the past year, with particular attention to curatorship, conservation, learning and participation, and documentation and research. Critical perspectives, as well as case studies are invited to focus on the long-term impact of the pandemic and on the way the identity of music museums, their value and relevance to society and research, and their ways of operating internally and externally may have been transformed. CIMCIM 2021 Conference Organising Committee Gabriele Rossi Rognoni (Royal College of Music, London, UK) Mimi Waitzman (Horniman Museum and Gardens, London, UK) Marie Martens (The Danish Music Museum, Copenhagen, Denmark) Arnold Myers (University of Edinburgh and Royal Conservatoire of Scotland, Glasgow, UK) Jen Schnitker (Metropolitan Museum of Art, New York, USA)
CIMCIM征稿“全球危机与音乐博物馆:代表疫情后的音乐”
可以说,新冠肺炎疫情对博物馆和遗产部门造成了自第二次世界大战以来最大的破坏。在世界各地,博物馆不得不关闭,有些永远不会重新开放,许多博物馆不得不长时间暂停运营。然而,这种破坏也邀请了——有时是被迫的——博物馆对自己的看法以及与观众的互动方式发生了重大变化。这包括增加对数字报价的关注,重新考虑与外部和内部利益相关者的人际关系,保证收藏的保存、文件和可用性的新方法,以及修订的财务和可持续性规划。其中一些变化将是暂时的,而另一些变化可能会在紧急情况过去后,在博物馆的身份和运作方式上留下永久的印记。本次会议将重点讨论过去一年中出现的一些倡议和创新,特别关注策展、保护、学习和参与以及文献和研究。邀请批判性观点和案例研究,重点关注这一流行病的长期影响,以及音乐博物馆的特性、它们对社会和研究的价值和相关性,以及它们的内部和外部运作方式可能发生的变化。Gabriele Rossi Rognoni(英国伦敦皇家音乐学院)Mimi Waitzman(英国伦敦霍尼曼博物馆和花园)Marie Martens(丹麦哥本哈根音乐博物馆)Arnold Myers(英国爱丁堡大学和苏格兰皇家音乐学院)Jen Schnitker(美国纽约大都会艺术博物馆)
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CiteScore
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