Politicized Literature: Dramas, Democracy and the Mysore Princely State

Abstract

Literary writings such as poetry, drama or novel in colonial India manifest themselves into, react or subscribe to the larger discourse of colonialism or nationalism; rarely do they hold uniformity in their articulations. As colonial experiences and larger nationalist consciousness varied from region to region, cultural articulations—chiefly dramas—not only assumed different forms but also illustrated different thematic concerns. Yet, studies on colonial drama, thus far, have paid attention to either colonialism/orientalism or nationalism. There is a greater focus on British India in such studies. However, the case of princely states demands a momentary sidestep from the dichotomy of colonialism versus nationalism to understand the colonial dramas. The slow and gradual entry of nationalism in the princely states did not have to combat the British chiefly and directly. Much before its full blossom in the princely states, it had to grapple with a range of issues such as monarchy, democratic institutions, constitutionalism, bureaucracy and other pressing issues locally. In the present article, the Kannada dramas of Devanahalli Venkataramanaiah Gundappa (DVG) in the early decades of the twentieth century are examined to throw light on the ways in which they act as political allegories which imagine and debate democracy and its repercussions in the social and political spheres of the Mysore princely state.