The hand gesture and symbols of Sabazios

IF 0.6 3区 历史学 0 ARCHAEOLOGY
S. Berndt
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引用次数: 2

Abstract

The material evidence left from the cult of Sabazios is meagre, apart from sculpted bronze hands dating to the Roman Empire. The hand is held in a certain pose, the so-called benedictio Latina gesture, and the hand was often covered with depictions of various objects and symbols. The bronze hands were probably attached to staffs and carried around in processions. This practice most likely spread via the channels of the Roman army during the Early Imperial period, but the gesture existed much earlier. The gesture is found on Attic black- and red-figured pottery, and is frequently associated with Hermes in his role as instructor and Psychopompos. From the beginning of the Hellenistic period the gesture was mainly used as an indication of speech, and for knowledge transmitted through speech. There are several examples of how the gesture was used to indicate the knowledge revealed through the initiations of mystery cults. Hermes is closely associated with Sabazios and is represented on the bronze hands, probably because of his role as instructor and Psychopompos; i.e. the position played by the mystagogue in the Sabazian mysteries. The gesture of the hands simply denoted the knowledge acquired through the initiation. The symbols on the hands are often associated with the Underworld, and it is suggested that knowledge acquired in the Sabazian mysteries dealt with life after death and the Underworld.
萨巴齐奥斯的手势和符号
除了可以追溯到罗马帝国的青铜手雕刻外,萨巴齐奥斯崇拜留下的物质证据很少。手以一定的姿势握住,即所谓的拉丁祝福手势,并且手通常覆盖着各种物体和符号的描绘。铜制的手可能被绑在杖上,在游行中被抬着走。这种做法很可能是在帝国早期通过罗马军队的渠道传播的,但这种手势的存在要早得多。这个手势可以在阿提卡黑色和红色的陶器上找到,并且经常与赫尔墨斯作为导师和精神导师的角色联系在一起。从希腊化时期开始,手势主要被用作言语的表示,以及通过言语传播的知识。有几个例子表明,这个手势是如何被用来表示通过神秘邪教的启蒙所揭示的知识。赫尔墨斯与萨巴齐奥斯有着密切的联系,并被代表在青铜手上,可能是因为他作为导师和精神导师的角色;也就是说,在萨巴兹神秘故事中,神秘主义者所扮演的角色。手的手势只是表示通过启蒙获得的知识。手上的符号通常与冥界有关,这表明在萨巴兹神秘学中获得的知识与死后的生活和冥界有关。
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来源期刊
CiteScore
1.80
自引率
66.70%
发文量
14
期刊介绍: Opuscula is published yearly by the Swedish Institutes at Athens and Rome. First issued in 2008 (no. 1), Opuscula replaces the annuals Opuscula Atheniensia and Opuscula Romana published by the Swedish Institute at Athens and the Swedish Institute in Rome respectively. The annual contains articles within classical archaeology, ancient history, art, architecture and philology, as well as book reviews within these subjects. Reports of fieldwork carried out under the supervision of the Institutes at Athens and Rome are regularly reported on in the Opuscula. The annual welcomes contributions pertaining to the ancient Mediterranean world (prehistory to Late Antiquity) and the Classical tradition and drawing on archaeological, historical and philological studies; also, contributions dealing with later periods in the areas, especially in the fields of art, architecture, history and cultural heritage.
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