Streaming platforms under Portuguese copyright law

IF 0.7 Q2 LAW
Tito Rendas
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引用次数: 1

Abstract

The article outlines the regulation of streaming platforms under Portuguese copyright law, against the background of EU legislation and case law. Its purpose is not merely to provide a description of how streaming platforms are regulated in Portugal, but also to highlight some of the specificities of the Portuguese approach to combating online copyright infringement. Throughout the article, reference will be made to three types of online platforms, which are broadly included under the general category of “streaming services”: (i) “legal streaming services,” which grant access to catalogs of music or audiovisual works with the authorization of the respective rightholders; (ii) “semi-legal streaming services,” specifically online content-sharing services that, at least before the Copyright in the Digital Single Market Directive, did not require the authorization of rightholders due to their eligibility for the hosting safe harbor; and (iii) “illegal streaming services,” covering not only streaming platforms where content is made available without the permission of rightholders, but also all those platforms whose main purpose is to facilitate copyright infringement, even if they do not resort to streaming technology, including popular torrent aggregators like The Pirate Bay.

葡萄牙版权法下的流媒体平台
本文概述了在欧盟立法和判例法的背景下,葡萄牙版权法对流媒体平台的监管。它的目的不仅仅是描述葡萄牙如何监管流媒体平台,而且还强调了葡萄牙打击在线版权侵权方法的一些特殊性。在整篇文章中,我们将提到三种类型的在线平台,它们大致包括在“流媒体服务”的一般类别下:(i)“合法流媒体服务”,即在获得相应权利人的授权后,允许访问音乐或音像作品的目录;(ii)“半合法的流媒体服务”,特别是在线内容共享服务,至少在《数字单一市场版权指令》颁布之前,由于其符合托管安全港的资格,不需要权利人的授权;(iii)“非法流媒体服务”,不仅包括未经权利人许可提供内容的流媒体平台,还包括所有以促进侵犯版权为主要目的的平台,即使他们不诉诸流媒体技术,包括流行的torrent聚合器,如海盗湾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
0.00%
发文量
43
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