{"title":"Laser-induced damage of metal mirrors under long-term exposure at shallow angle of incidence","authors":"M. Zaghloul, M. Tillack, T. Mau","doi":"10.1109/FUSION.2002.1027693","DOIUrl":null,"url":null,"abstract":"Laser induced damage (LID) experiments were performed with a 2-J frequency-multiplied Nd:YAG laser at 1/2 /spl mu/m wavelength and a variety of metal mirrors (pure and impure diamond-turned) at shallow angle of incidence to study the sensitivity of these mirrors to LID under long term exposure. Practical lifetime curves for Al-1100 and 99.999% pure Al mirrors have been established up to 10/sup 4/ shots of operation. The results show general agreement with theoretical predictions.","PeriodicalId":44192,"journal":{"name":"NINETEENTH CENTURY MUSIC","volume":"5 1","pages":"272-275"},"PeriodicalIF":0.3000,"publicationDate":"2002-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NINETEENTH CENTURY MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/FUSION.2002.1027693","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 7
Abstract
Laser induced damage (LID) experiments were performed with a 2-J frequency-multiplied Nd:YAG laser at 1/2 /spl mu/m wavelength and a variety of metal mirrors (pure and impure diamond-turned) at shallow angle of incidence to study the sensitivity of these mirrors to LID under long term exposure. Practical lifetime curves for Al-1100 and 99.999% pure Al mirrors have been established up to 10/sup 4/ shots of operation. The results show general agreement with theoretical predictions.
期刊介绍:
19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.