{"title":"Accumulation, juxtaposition, and no ideas but in things","authors":"K. John-Alder","doi":"10.1080/18626033.2021.2046763","DOIUrl":null,"url":null,"abstract":"Abstract This essay explores the Passaic River Valley in New Jersey and it utilizes the concept of re-voicing discussed by literary critic James Woods to call attention to the ways certain experiences of the land legitimize the stories we tell, and, conversely, to call attention to the ways certain stories of the land legitimize the experiences we remember. Data on topography, land use, demographics, floods and chemical toxins provide factual support. Experienced-based observations on time and place by poet William Carlos Williams and artist Robert Smithson establish tone and meaning. To depict the layers of this topography and their points of intersection, the essay presents the landscape synchronically as concurrent moments in time, and diachronically as change over time. The Passaic River, in its dual role of entity, or thing, and metaphor, or meaningful idea, unites the exploration and serves as the point of focus.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"3 1","pages":"6 - 23"},"PeriodicalIF":0.4000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Landscape Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/18626033.2021.2046763","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This essay explores the Passaic River Valley in New Jersey and it utilizes the concept of re-voicing discussed by literary critic James Woods to call attention to the ways certain experiences of the land legitimize the stories we tell, and, conversely, to call attention to the ways certain stories of the land legitimize the experiences we remember. Data on topography, land use, demographics, floods and chemical toxins provide factual support. Experienced-based observations on time and place by poet William Carlos Williams and artist Robert Smithson establish tone and meaning. To depict the layers of this topography and their points of intersection, the essay presents the landscape synchronically as concurrent moments in time, and diachronically as change over time. The Passaic River, in its dual role of entity, or thing, and metaphor, or meaningful idea, unites the exploration and serves as the point of focus.
期刊介绍:
JoLA is the academic Journal of the European Council of Landscape Architecture Schools (ECLAS), established in 2006. It is published three times a year. JoLA aims to support, stimulate, and extend scholarly debate in Landscape Architecture and related fields. It also gives space to the reflective practitioner and to design research. The journal welcomes articles addressing any aspect of Landscape Architecture, to cultivate the diverse identity of the discipline. JoLA is internationally oriented and seeks to both draw in and contribute to global perspectives through its four key sections: the ‘Articles’ section features both academic scholarship and research related to professional practice; the ‘Under the Sky’ section fosters research based on critical analysis and interpretation of built projects; the ‘Thinking Eye’ section presents research based on thoughtful experimentation in visual methodologies and media; the ‘Review’ section presents critical reflection on recent literature, conferences and/or exhibitions relevant to Landscape Architecture.