{"title":"#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom","authors":"Andrea Acosta","doi":"10.1353/cj.2023.0024","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article takes up K-pop's online fandoms as sites of racial work and resistance in the digital era. Examining the #BlackOutBTS selfie project on Twitter, a project created by and for Black fans of Korean group BTS to combat online racism, I argue these fans intervene meaningfully into anti-Black optic regimes through creative acts of self-display. In turn, their productions frame the selfie as a dynamic, rather than static, digital genre. Its capacity for editing, manipulation, and image play—its merging of photography with performance—makes the selfie an effective site for a minoritarian (re)presentation of the racialized subject.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2023.0024","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT:This article takes up K-pop's online fandoms as sites of racial work and resistance in the digital era. Examining the #BlackOutBTS selfie project on Twitter, a project created by and for Black fans of Korean group BTS to combat online racism, I argue these fans intervene meaningfully into anti-Black optic regimes through creative acts of self-display. In turn, their productions frame the selfie as a dynamic, rather than static, digital genre. Its capacity for editing, manipulation, and image play—its merging of photography with performance—makes the selfie an effective site for a minoritarian (re)presentation of the racialized subject.