Taking a knee: Haunted memetic counter-activism

IF 1.2 2区 文学 Q3 COMMUNICATION
Solomon Lennox
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引用次数: 0

Abstract

In May 2020, the world witnessed Derek Chauvin, a serving White police officer, murder George Floyd, a Black American male. A video of the murder, shot by Darnella Frazier, documented Chauvin kneeling on Floyd’s neck for a little under eight minutes. The video served as a call to action with protests erupting throughout the summer of 2020 across the USA. Activists took to the streets demanding an end to police brutality and systemic racism. The act of kneeling became a recurrent symbol of these protests. This article specifically focuses on instances where police officers have taken the knee opposite protesters. The author argues that, within this context, kneeling is a memetic performance; it is a unit of cultural information passed on through repetition and mutation. Through mutation (repetition with difference), the symbolic meaning of the act changes. In the case of police officers kneeling opposite protesters, the act purportedly symbolizes moments of solidarity and understanding between the two sides. Much like the video that inspired the protests, instances of officers kneeling opposite protesters were captured, disseminated via social media and went viral. The stillness of these moments promised hope for movement towards a more equitable and humane future. But these images serve as a form of dirty data as they document a future yet to materialize. To this end, the act of kneeling is a haunted gesture, serving as a form of counter-activism. The act of kneeling by police officers, irrespective of the intentions of the individuals involved, does not solicit an encounter with the ghosts of police brutality and systemic racism. Rather the act, as a mutated form of activism, simultaneously disrupts the atmosphere of protests and reclaims narratives about police conduct, without enacting meaningful change.
单膝跪地:闹鬼的模因反激进主义
2020年5月,全世界目睹了在职白人警察德里克·肖文谋杀美国黑人男子乔治·弗洛伊德。一段由达内拉·弗雷泽(Darnella Frazier)拍摄的谋杀视频记录了肖文跪在弗洛伊德脖子上不到八分钟的时间。该视频呼吁人们采取行动,抗议活动在整个2020年夏天在美国各地爆发。活动人士走上街头,要求结束警察暴行和系统性种族主义。跪地的行为成为这些抗议活动的一个反复出现的象征。这篇文章特别关注警察对抗议者下跪的情况。作者认为,在这种情况下,跪是一种模因表现;它是通过重复和变异传递的文化信息的单位。通过变异(有差异的重复),行为的象征意义发生了变化。在警察跪在抗议者对面的情况下,据称这一行为象征着双方之间的团结和理解。就像引发抗议活动的视频一样,警察跪在抗议者对面的场景也被捕捉到,并通过社交媒体传播开来,迅速传播开来。这些寂静的时刻预示着朝着更加公平和人道的未来前进的希望。但这些图像作为一种肮脏数据的形式,记录了一个尚未实现的未来。为此,下跪的行为是一种闹鬼的姿态,是一种反激进主义的形式。警察下跪的行为,无论涉及的个人的意图如何,都不会引发与警察暴行和系统性种族主义的幽灵相遇。相反,作为一种激进主义的变异形式,该法案同时扰乱了抗议的气氛,重新唤起了对警察行为的叙述,而没有带来有意义的改变。
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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