Radioactive Music: The Eerie Agency of Hildur Guðnadóttir’s Music for the Television Series Chernobyl

IF 0.5 0 FILM, RADIO, TELEVISION

Music Sound and the Moving Image Pub Date : 2021-10-01 DOI:10.5406/musimoviimag.14.3.0030

Tore Størvold, J. Richardson

引用次数: 1

Abstract

Abstract:The acclaimed television miniseries Chernobyl (2019) features an eerie soundtrack that musicalizes the silence of radioactivity. Hildur Guðnadóttir’s score is composed of field recordings from a nuclear power plant, treated and fitted together in ways that blur the lines between music and sound design. The immersive qualities of the soundtrack provide television audiences with new means of sensing the invisible ecological consequences of human activity.

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放射性音乐:希尔杜尔的怪异机构Guðnadóttir为电视剧《切尔诺贝利》创作的音乐

摘要:广受好评的电视迷你剧《切尔诺贝利》(2019)以怪异的配乐为特色，将放射性的沉默音乐化。Hildur Guðnadóttir的配乐是由一个核电站的现场录音组成的，处理和组合的方式模糊了音乐和声音设计之间的界限。配乐的沉浸感为电视观众提供了一种新的方式来感知人类活动所带来的无形的生态后果。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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