The Portrayal Of Jesse Owens’ Character As The Representation Of Male African-American Athlete In Stephen Hopkins’ Race (2016): New Historicism

Zakiyah Dania, Billah, Jl. Kedung, Baruk No, Surabaya 98
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Abstract

In the 1930s, African-American male athletes faced segregation and discrimination due to their skin color. Modern biographical films now offer a more accurate representation of their struggles and achievements. This research examines how the movie “Race” (2016) portrays Jesse Owens, a male African-American athlete from the 1930s, and its implications for present-day US race relations. Through qualitative analysis using Narrative and Non-Narrative methods, we apply Stephen Greenblatt’s New Historicism to explore the movie's depiction of Owens. By comparing the film to historical records, we find that "Race" neglects to show Owens’ dedication to sports, education, work, and the significant influence of his Irish first coach. These omissions are connected to the continued exclusion of African-Americans in contemporary American society. This study reaffirms the persistence of white supremacy beliefs and stereotypes surrounding African-American athletes, portraying them as solely focused on sports. The portrayal of Jesse Owens in the movie mirrors the current experiences of African-American male athletes, who still grapple with stereotypes and racial discrimination, even in the aftermath of President Obama’s tenure.
杰西·欧文斯在斯蒂芬·霍普金斯的比赛中扮演非裔美国男性运动员的角色:新历史主义
在20世纪30年代,非裔美国男性运动员因肤色而面临隔离和歧视。现代传记电影更准确地反映了他们的奋斗和成就。本研究探讨了电影《种族》(2016)如何描绘杰西·欧文斯,一位来自20世纪30年代的非裔美国男性运动员,以及它对当今美国种族关系的影响。通过叙事和非叙事方法的定性分析,我们运用斯蒂芬·格林布拉特的新历史主义理论来探讨电影对欧文斯的刻画。通过与历史记录的比较,我们发现《种族》忽略了欧文斯对体育、教育、工作的投入,以及他的爱尔兰第一位教练对他的重大影响。这些遗漏与当代美国社会对非裔美国人的持续排斥有关。这项研究重申了围绕非裔美国运动员的白人至上主义信念和刻板印象的持续存在,将他们描绘成只关注体育的人。杰西·欧文斯(Jesse Owens)在电影中的形象反映了非裔美国男性运动员目前的经历,即使在奥巴马总统任期结束后,他们仍在与刻板印象和种族歧视作斗争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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