“His fruit was sweet to my taste”: The Song of Solomon and Michelangelo’s Temptation

IF 0.2 3区 艺术学 0 ART
J. Manca
{"title":"“His fruit was sweet to my taste”: The Song of Solomon and Michelangelo’s Temptation","authors":"J. Manca","doi":"10.1086/707742","DOIUrl":null,"url":null,"abstract":"Michelangelo Buonarroti’s Temptation in the Sistine Chapel is marked by iconographic freedom and innovation, as the artist departs more than once from biblical text and pictorial tradition (fig. 1). Genesis 3:6 describes how the wily serpent tempted Eve with forbidden fruit from the Tree of the Knowledge of Good and Evil, and she, in turn, tempted the first man: “And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.” Michelangelo, perhaps to emphasize Adam’s free will, independence of mind, and inexcusable","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":"1 1","pages":"162 - 171"},"PeriodicalIF":0.2000,"publicationDate":"2020-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/707742","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

Michelangelo Buonarroti’s Temptation in the Sistine Chapel is marked by iconographic freedom and innovation, as the artist departs more than once from biblical text and pictorial tradition (fig. 1). Genesis 3:6 describes how the wily serpent tempted Eve with forbidden fruit from the Tree of the Knowledge of Good and Evil, and she, in turn, tempted the first man: “And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.” Michelangelo, perhaps to emphasize Adam’s free will, independence of mind, and inexcusable
《所罗门之歌》与米开朗基罗的《诱惑
米开朗基罗·博纳罗蒂(Michelangelo Buonarroti)的《西斯廷教堂的诱惑》(Temptation in the Sistine Chapel)以图像的自由和创新为标志,因为艺术家不止一次地偏离了圣经文本和绘画传统(图1)。创世纪3:6描述了狡猾的蛇如何用分别善恶树上的禁果诱惑夏娃,而她反过来诱惑了第一个男人:女人见那树的果子好作食物,也悦人的眼目,且是可喜爱的,能使人有智慧,就摘下果子来吃了,又给他丈夫。他确实吃了。”米开朗基罗,也许是为了强调亚当的自由意志、思想独立和不可原谅
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
20
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信