On the war-episodes in "Hikayat Kuda Semirang Sira Panji Pandai Rupa"

G. Koster
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引用次数: 0

Abstract

This paper, based on the text of the Jakarta MS C. St. 125 published by Lukman Ali and M.S. Hutagalung (1996), shows by a comparative reading of selected samples of war-episodes in the  hikayat , that, in spite of the countless differences between  them, all ultimately tell one and the same underlying story. This story is in each  war-episode retold in a process of constant variation within identity. This is done by combining “pre-fab” units that each form a slot in an already predetermined narrative structure. Each of these slots is filled with a selection of type-scenes, made from the particular string of type-scenes that is available for that particular slot. In order to shed light on the question where the  hikayat ’s author may have  found the models and inspiration for its composition, the numerous intertextual echoes of Javanese and Malay literary genres and individual works audible in these war-episodes are also traced.
本文以Lukman Ali和M.S. Hutagalung(1996)出版的雅加达MS C. St. 125的文本为基础,通过对选定的hikayat战争事件样本的比较阅读表明,尽管它们之间存在无数差异,但最终都讲述了一个相同的潜在故事。这个故事在每一次战争中都是在身份不断变化的过程中被重述的。这是通过组合“预制”单元来实现的,每个单元在预先确定的叙事结构中形成一个插槽。这些槽中的每一个都由类型场景的选择填充,这些类型场景是由特定槽中可用的特定类型场景字符串组成的。为了阐明《希卡雅特》的作者在哪里找到了它的创作模式和灵感,我们还追踪了爪哇语和马来语文学流派以及在这些战争事件中可以听到的个别作品的众多互文回声。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
18
审稿时长
24 weeks
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