Self-fashioning Queer/Crip: Stretching and grappling with disability, gender and dress

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Ben Barry, P. Nesbitt
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引用次数: 0

Abstract

The convergence of queer studies with disability studies has imagined new possibilities of sexuality, gender and the body, and developed Queer/Crip as a theoretical framework. Queer/Crip scholars map out connections between queer and crip theories by examining how compulsory heterosexuality and compulsory able-bodiedness are entangled in the service of normativity. This article uses a Queer/Crip framework to explore how queer, disabled people use their everyday dress practices to construct their intersectional identities, as well as to stretch and navigate dominant systems of gender, sexuality and disability. Drawing from wardrobe interviews with 40 disability-identified men and masculine non-binary people, we present sartorial biographies of four queer, disabled participants from this larger sample. These participants come from diverse locations of both marginalization and privilege across races, gender identities, classes, disability embodiments and other social positions. Our analysis reveals that queer, disabled participants’ everyday dress practices dismantle dominant systems of gender, disability and fashion. However, participants also grapple with self-fashioning their disabled and queer identities based on the various ways in which they are intersectionally privileged and marginalized. This article contributes to research on queer fashion by demonstrating how applying a Queer/Crip framework and centring disability dress experiences opens-up understandings about queer embodiment and dress.
自我塑造的酷儿/瘸子:伸展和挣扎于残疾、性别和着装
酷儿研究与残疾研究的融合,想象了性、性别和身体的新可能性,并发展了酷儿/瘸子作为一个理论框架。酷儿/瘸子学者通过研究强制性异性恋和强制性健全身体如何在规范服务中纠缠在一起,绘制出酷儿和瘸子理论之间的联系。这篇文章用酷儿/瘸子的框架来探讨酷儿、残疾人如何使用他们的日常着装实践来构建他们的交叉身份,以及如何延伸和驾驭性别、性和残疾的主导系统。通过对40名残疾男性和男性化的非二元性别人士的服装采访,我们从这个更大的样本中列出了四位残疾的酷儿参与者的服装传记。这些参与者来自不同的地方,既有被边缘化的,也有享有特权的,跨越种族、性别认同、阶级、残疾体现和其他社会地位。我们的分析表明,酷儿、残疾参与者的日常着装实践打破了性别、残疾和时尚的主导体系。然而,参与者也在努力自我塑造他们的残疾和酷儿身份,这是基于他们在不同的方式中交叉享有特权和边缘化。这篇文章通过展示如何运用酷儿/瘸子框架和以残疾着装经验为中心,打开了对酷儿化身和着装的理解,从而对酷儿时尚的研究做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Fashion Style & Popular Culture
Fashion Style & Popular Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
53
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