{"title":"Finding Frank","authors":"Jessie Morgan-Owens","doi":"10.1353/jnc.2021.0004","DOIUrl":null,"url":null,"abstract":"Abstract:In \"Finding Frank,\" the author considers what to do with a remnant of evidence left behind from her research for a larger project in the history of slavery. The remnant concerns Frank, a black man lost to the domestic slave trade in 1835, and Morgan-Owens argues that the conventions of micronarrative, which tie the worth of a story to its scalability, led to his omission in her manuscript. What does it mean to have a story worth telling, and how much of a story does it take to merit a biographical account? Writing as a white historian, she navigates the archival impulse to write about Frank after the fact and the persistent patterns of white supremacy found in projects of historical retelling.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":"1 1","pages":"31 - 39"},"PeriodicalIF":0.1000,"publicationDate":"2021-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"J19-The Journal of Nineteenth-Century Americanists","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jnc.2021.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:In "Finding Frank," the author considers what to do with a remnant of evidence left behind from her research for a larger project in the history of slavery. The remnant concerns Frank, a black man lost to the domestic slave trade in 1835, and Morgan-Owens argues that the conventions of micronarrative, which tie the worth of a story to its scalability, led to his omission in her manuscript. What does it mean to have a story worth telling, and how much of a story does it take to merit a biographical account? Writing as a white historian, she navigates the archival impulse to write about Frank after the fact and the persistent patterns of white supremacy found in projects of historical retelling.