Climate in Crisis: Art and Activism at the Brooklyn Museum

Nancy B. Rosoff
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Abstract

This paper explores the Brooklyn Museum’s activism-centered museum practice as exemplified by the exhibition Climate in Crisis: Environmental Change in the Indigenous Americas. The exhibition presents the collections of Indigenous art from North, Central, and South America through the lens of climate change and its impact on the survival of Indigenous people. The main thesis is that the current climate emergency is part of a longer history of environmental colonialism that began five hundred years ago. For millennia, Indigenous communities throughout the Americas have maintained profound and expansive relationships with the natural world. However, beginning in the 1500s, Europe’s conquest and colonization of the Americas forced ways of using natural resources that clashed with traditional Indigenous modes of relating to the world. This fundamental difference in worldview—between one that sees human beings, animals, plants, and the land as interrelated and co-equal, and another that privileges human needs above everything else—has resulted in ever-escalating threats to Indigenous homelands, ways of life, and survival, as well as the unprecedented level of climate change affecting the planet today.
危机中的气候:布鲁克林博物馆的艺术与行动主义
本文以展览“危机中的气候:美洲原住民的环境变化”为例,探讨了布鲁克林博物馆以行动主义为中心的博物馆实践。本次展览通过气候变化及其对土著人生存的影响的视角,展示了来自北美、中美和南美的土著艺术收藏品。主要论点是,当前的气候紧急情况是500年前开始的更长的环境殖民主义历史的一部分。几千年来,美洲各地的土著社区与自然界保持着深厚而广泛的关系。然而,从16世纪开始,欧洲对美洲的征服和殖民迫使使用自然资源的方式与传统的土著与世界联系的模式发生冲突。一种世界观认为人类、动物、植物和土地是相互关联、平等的,另一种世界观认为人类的需求高于一切,这种世界观的根本差异导致了对土著家园、生活方式和生存的不断升级的威胁,以及影响当今地球的前所未有的气候变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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24 weeks
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