Conceptions of literary authorship in modern literary theories: history, issues, approaches

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Mengchen Lang
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Abstract

Abstract The last three decades have seen a flourishing of theoretical discussions about the concept of literary authorship. This article is an attempt to scrutinise and engage with this thriving scene. Through a systematic review of conceptions of authorship in modern literary theories, I will outline historical shifts, disentangle current debates, and identify a range of approaches, with the aim of informing future studies of this concept. This article is divided into three parts. The first part offers a brief history of ideas of authorship in modern literary theories (ca. 1900 to the present). I trouble the narrative of the ‘death and resurrection of the author’ by showing that the concept of authorship has remained a constant concern, and by highlighting continuities between different theories. The second part identifies three main issues about the concept – agency/creativity, intention/authority, and self-presentation/self-construction. I illustrate how each of them has been addressed in recent discussions, focusing mainly on the last three decades, and point to potential directions for future research within each strand of debate. Finally, I provide a non-exhaustive typology of methodological approaches to the study of authorship. I will conclude with a brief consideration of the value of this concept for literary criticism.
现代文论中的文学作者概念:历史、问题、途径
摘要近三十年来,关于文学作者概念的理论讨论十分活跃。本文试图仔细审视并参与到这一欣欣向荣的景象中。通过对现代文学理论中作者身份概念的系统回顾,我将概述历史转变,理清当前的争论,并确定一系列方法,目的是为这一概念的未来研究提供信息。本文分为三个部分。第一部分简要介绍了现代文学理论(约1900年至今)中作者身份观念的历史。我通过展示作者身份的概念仍然是一个持续关注的问题,并通过强调不同理论之间的连续性,来麻烦地叙述“作者的死亡和复活”。第二部分确定了关于这个概念的三个主要问题——代理/创造力、意图/权威和自我呈现/自我建构。我举例说明了它们在最近的讨论中是如何被解决的,主要集中在过去三十年,并指出了每一种争论中未来研究的潜在方向。最后,我提供了一个非详尽的类型学方法来研究作者身份。最后,我将简要讨论这一概念对文学批评的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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