Through a Drone Darkly: Drone Media as Pandemic Witnessing

IF 0.4 3区 文学 0 ASIAN STUDIES
Anirban K. Baishya
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Abstract

When the COVID-19 pandemic broke out in 2020, countries around the world began enacting lockdown measures and enforcing social distancing rules. Almost at the same time, the use of drones also began to see a spike, especially in the hands of civilian users. This article examines the phenomenon of the drone video as a genre of the pandemic. While drone imagery is not endemic to the COVID-19 crisis, in the face of mass deaths and lockdowns, drone users globally began to turn to the drone as a mobile archive machine. Drawing on recent scholarship on drones, I examine how the drone’s vertical vision afforded a form of pandemic witnessed by proxy. Despite the increasing use of drones for policing, surveillance and warfare, in the case of India, drone imagery also played an important role in countering government narratives about the pandemic and its body counts. Examining the drone images captured by the late photographer Danish Siddiqui, I demonstrate how the drone’s ‘vertical play’ facilitated the emergence of a counter-archive of the pandemic.
通过无人机黑暗:无人机媒体作为流行病的见证
当2020年新冠肺炎大流行爆发时,世界各国开始实施封锁措施,并执行社交距离规则。几乎与此同时,无人机的使用也开始出现激增,尤其是在民用用户手中。本文考察了无人机视频作为大流行类型的现象。虽然无人机图像并非COVID-19危机的特有现象,但面对大规模死亡和封锁,全球无人机用户开始将无人机作为移动存档机器。利用最近关于无人机的学术研究,我研究了无人机的垂直视野如何提供了一种由代理人见证的流行病形式。尽管越来越多地使用无人机进行警务、监视和战争,但就印度而言,无人机图像在反驳政府关于疫情及其死亡人数的说法方面也发挥了重要作用。通过研究已故摄影师丹麦·西迪基(Danish Siddiqui)拍摄的无人机图像,我展示了无人机的“垂直发挥”如何促进了疫情反档案的出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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