Resemiotization: tracing the movement of resources in landscape architectural design trajectories

IF 1.2 2区 文学 Q3 COMMUNICATION
C. Price, Arlene Archer
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引用次数: 0

Abstract

University students in landscape architecture need to mobilize a range of resources in their design trajectories in order to resolve their designs. Often design education settings are influenced by design traditions of the global north, and thus may favour particular ways of knowing. This article aims to contribute to a multimodal pedagogy for diversity exploring the ways in which diverse students mobilize resources to move between spatial, verbal and visual modes in a landscape architectural design trajectory. It specifically traces the resources that one student brings to her learning environment in a university in South Africa, and identifies the experiential, social, semiotic, interactive and pedagogical resources she deploys. The authors demonstrate how these resources shape and prompt the student’s meaning-making processes, and how she mobilizes these resources to move her design trajectory forward. They do this by building on Kress and Van Leeuwen’s Reading Images (2006) model of visual grammar, adapted for three-dimensional space, and Kress’s notions of design in Multimodality (2010). The concept of resemiotization is key here to recognizing and understanding the meaning-making potential of modes. The authors argue that the affordances of different modes prompt resemiotization of resources at different times in the design trajectory, moving between material expression and nonmaterial (re)conceptualization. The processes of resemiotization can thus generate emergent meanings and transform them within the student’s landscape design trajectories. This approach to pedagogy can valorize the agency, identity, ways of knowing and resourcefulness of diverse meaning-makers.
相似化:追踪景观建筑设计轨迹中的资源运动
风景园林专业的大学生需要在他们的设计轨迹中调动一系列资源,以解决他们的设计问题。通常,设计教育环境受到全球北方设计传统的影响,因此可能倾向于特定的学习方式。本文旨在为多样性的多模态教学法做出贡献,探讨在景观建筑设计轨迹中,不同的学生如何调动资源,在空间、语言和视觉模式之间移动。它具体追踪了一名学生在南非的一所大学为她的学习环境带来的资源,并确定了她部署的体验、社会、符号学、互动和教学资源。作者展示了这些资源如何塑造和促进学生的意义创造过程,以及她如何调动这些资源来推进她的设计轨迹。他们通过建立Kress和Van Leeuwen的“阅读图像”(2006)视觉语法模型(适用于三维空间)和Kress的“多模态设计”(2010)的概念来做到这一点。相似化的概念在这里是识别和理解模式的意义生成潜力的关键。作者认为,在设计轨迹的不同时期,不同模式的可视性促使资源的相似性,在物质表达和非物质(再)概念化之间移动。因此,相似化的过程可以产生突现的意义,并在学生的景观设计轨迹中进行转换。这种教学方法可以使不同意义制造者的能动性、身份、认知方式和机智得到肯定。
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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