Northeast Indian or Assamese

IF 0.5 3区文学 0 LITERATURE

COMPARATIVE LITERATURE Pub Date : 2022-09-01 DOI:10.1215/00104124-9722337

A. Kashyap

引用次数: 0

Abstract

What does it mean to be a writer from Northeast India? What does it mean to write from the margins of India? What are the limitations of Indian English writing when it comes to depicting marginal, radical literary traditions that question the idea of India? The author of The House with a Thousand Stories and There Is No Good Time for Bad News, Aruni Kashyap, shares his formative experiences as a writer, including the influences of Indian writers such as Amitav Ghosh, Assamese literary culture, and Indigenous oral storytelling traditions.

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东北印度或阿萨姆邦

作为一名来自印度东北部的作家意味着什么?在印度的边缘写作意味着什么?当涉及到描绘边缘的、激进的、质疑印度观念的文学传统时，印度英语写作的局限性是什么?《一千个故事的房子》和《坏消息没有好时机》的作者阿鲁尼·卡什亚普分享了他作为作家的形成经历，包括阿米塔夫·高什等印度作家的影响、阿萨姆邦文学文化和土著口述故事传统。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

COMPARATIVE LITERATURE LITERATURE-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： The oldest journal in its field in the United States, Comparative Literature explores issues in literary history and theory. Drawing on a variety of theoretical and critical approaches, the journal represents a wide-ranging look at the intersections of national literatures, global literary trends, and theoretical discourse. Continually evolving since its inception in 1949, the journal remains a source for cutting-edge scholarship and prides itself on presenting the work of talented young scholars breaking new ground in the field.