‘Verscheurende Beyren’

IF 0.1 2区 艺术学 0 ART
Robert Bauernfeind
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引用次数: 0

Abstract

This article examines the depiction of polar bears in Dutch painting and graphics from the late 16th to the early 18th centuries. Reports of the first encounters between Dutch humans and polar bears established the idea of these animals as aggressive predators. This idea dominated the image of the bear in illustrated travelogues as well as in allegorical depictions of the Arctic and whaling pictures. The polar bear thus became a symbol for the dangers of the region and appears as an obstacle to the human exploitation of the Arctic. However, depictions of the bloody hunt for polar bears indicate the economically motivated triumph of Europeans in this inhospitable area.
“撕开Beyren”
本文考察了16世纪末至18世纪初荷兰绘画和图形中对北极熊的描绘。关于荷兰人和北极熊首次相遇的报道确立了这种动物是攻击性捕食者的观点。这种想法主导了带插图的游记以及北极和捕鲸的寓言描述中熊的形象。北极熊因此成为该地区危险的象征,并成为人类开发北极的障碍。然而,对血腥猎杀北极熊的描绘表明,欧洲人在这个荒凉的地区取得了经济上的胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
50.00%
发文量
0
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